Tag Archives: art

ERIK RAVELO

25 Aug

Los Intocables (The Untouchables) 2012
The right to childhood should be protected.

Provocative photographs addressing systemic and institutional child abuse. The images capture children pinned up crucifixion style against the backs of adult authority figures .The first one speaks of paedophiles in the Catholic Church, child prostitution in Thailand, child army recruitment in Syria, child organ trafficking in Brazil, free guns in USA and child obesity (McDonalds). I love this piece. I find the concept really political, moving and powerful. I also like how it addresses the responsibility of adult figures with regard to the harming of children in various contexts. Placing the children at the forefront of issues such as military occupation, tourism, healthcare, religion, and school violence, asks viewers to consider the potential for abuse within these issues and institutions.
I’ve read some comments that people feel that the McDonald’s image seems very out-of-place amongst the others. I disagree, because to only feed a child junk food, let it reach obesity and damage its health, is abuse in my opinion. I do however, agree with comments that point out that a black child is missing. “Or maybe it’s because we don’t see black kids as kids, but rather as hoodlums, and thugs…” Perhaps the artist could have included an image of a black child crucified on a white male cop..?

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EXHIBITION: Keep Your Timber Limber (ICA)

24 Aug

• Explores how artists since the 19040’s to the present day have used drawing to address ideas critical and current to their time.
• Ranging from the politics of gender and sexuality to feminist issues, war, censorship and race.
• The works can all be viewed as being in some way transgressive.
• Using traditional and commercial drawing techniques to challenge specific social, political or stylistic conventions.
• Could be retitled ‘The Penis Exhibition’ because there are that many drawings of dicks.
Works that stood out for me:

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• JUDITH BERNSTEIN
• Sexual violence and acts of war
• Male power
• Pop art and abstract expressionism (historically dominated by male artists).
• Vietnam war
• Against the decisions made predominantly by men on behalf of society

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• CARY KWOK
• Studied fashion
• Beautifully detailed, delicate ballpoint drawings
• Men at the moment of ejaculation (revealing a moment historically associated with defencelessness and weakness)
• Religious figures (universal, regardless of faith)

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• TOM OF FINLAND (aka Touko Laaksonen)
• In opposition to the dominant image of the homosexual in the 1950’s
• Adopted the tougher image (the rebel of the time, the biker)
• First artist to depict ha homosexual man as happy, healthy and masculine.
• Establishing the gay man not as a pervert, but as a joyful person.
• Sometimes with the message ‘Clothed is sexy’
• These images were so popular that the images and ideas that they depict have become somewhat of a cliché

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Loved the little book shop at the ICA. Found about 10 books of interest that I will try and find in the UAL libraries (or add to my Christmas wish list 😛 )

Collage Portraits

21 Aug

The Homeland promo poster has inspired me to look at other collage portraits.

ANTHONY BROWN
Artist from Liverpool

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  • Oil painting portraits on newspaper cut-outs about the individual.
  • People with a unique contribution to Liverpool life
  • 100 heads. Thinking as one
  • People from recent history
  • Multi layered process of news print, magazines, books, written words and photographs. Then oil and acrylic to create the image. Almost like a visual ‘diary’ of their life.

Collage of Apple CEO Steve Jobs made completely out of Apple products.
Created with the mosaic screen saver in Leopard OS.

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JOHN STEZAKER
Film Portrait Collages
black and white
surreal and fragmented

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DEREK GORES
Recycled magazine art Image

LUCIAN FREUD’s portraits can sometimes look like a collage because of the way they are painted. Each individual mark and brush stroke that builds up the image is visible.

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Oriol Angrill Jordà

15 Jan

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“I did not start like most of the artists I’ve met… A majority of them had been enthusiastic about Art, almost since they were born, as a native desire to create or express themself. Unfortunately, it wasn’t like that (for) me.”

• Spanish illustrator
• variety of media (pencil, watercolour, charcoal)
• In his most recent project, “Blendscapes“, Jordà creates hybrid images with human figures constructed from delicate landscapes
• unique colour and texture combinations
• interesting displacement and reconstruction of traditional landscape imagery.

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HANS BELLMER

14 Jan

Germany, 1902-1975
“If the origin of my work is scandalous, it is because for me, the world is a scandal.”
• Bellmer began creating disturbing dolls in 1933, the year Adolf Hitler assumed power in Germany.
• Interpreted as acts of political defiance against the Aryan ideals and social norms promoted by the Nazis – Whom he openly opposed, and expressed the outrage he felt when his father joined the Nazi party.

Hnas Bellmer, doll

• Doll: made from glue and tissue paper, then painted a flesh tone.
Its order is undermined by the lack of distinct head or feet.

Hans Bellmer, doll

• Offer an alternative to the image of the ideal body and psyche popularized in German fascist propaganda of the 19030s
“an artificial girl with multiple anatomical possibilities”.

BRUNO CATALANO

14 Jan

“Drawing a blank”
Born in1960, France

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• Bronze sculptures
• “The Travellers” (In search of missing pieces)?
• The viewer fills the blanks
• Maybe a message to all of us to become a bit more transparent…?
• Images sometimes behind the sculptures (picturesque landscapes)
• How comes the sculptures don’t fall?
The unifying element of all the sculptures: a suitcase, bag or guitar case

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OTTO DIX

13 Jan

Born in 1891, Germany

• 1914 volunteered for the German Army in WWI
• Wounded several times during the war. Nearly died when a shrapnel splinter hit him in the neck.
• In 1918 (end of the war), Dix had won the “Iron Cross” (second class) and reached the rank of vice-sergeant- major.
• Developed left-wing views and his paintings and drawings became increasingly political
• Angry about the way that the wounded and crippled ex-soldiers were treated in Germany.

otto dix, trench warfare

• “The Trench” was purchased and exhibited by the Wallraf-Richartz Museum. Its depiction of decomposed corpses in a German trench created such a public outcry that the museum’s director, Hans Secker, was forced to resign.
• “No More War!” travelling exhibition put on with other artists who had fought in WW1
• 1933: Hitler and Nazi Germany
• Government disliked Dix’s anti-military paintings and arranged for him to be sacked from his job as an art tutor at Dresden Academy.
Dismissal letter said his work, “threatened to sap the will of the German people to defend themselves.”

otto dix, war cripples

• “The Trench” and “War Cripples” appeared in a Nazi exhibition to discredit modern art. Later several of Dix’s anti-war paintings were destroyed by the Nazi authorities.
• With the Nazis in power, artists in Germany could only work as an artist, buy materials or show their work if they were members of the Imperial Chamber of Fine Arts.
Dix was allowed to become a member in return for agreeing to paint landscapes instead of political subjects.
• Dix mainly painted landscapes during this period, but still produced the occasional allegorical painting which contained coded attacks on the Nazi government. He exhibited several of these paintings in a one-man exhibition in 1938. In 1939 Dix was arrested and charged with involvement in a plot on Hitler’s life. Eventually he was released as the charges were dropped.

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• In 1945 Dix was forced to join the German Army to fight in WWII. At the end of the war he was captured and put into a prisoner-of-war camp. Released in Feb. 1946.
• Most of Dix’s post-war paintings were religious allegories. However, paintings such as “Job” (1946), “Masks in Ruins” (1946) and “Ecce Homo 2” (1948), dealt with the suffering caused by WWII.

Otto Dix died in 1969